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Editorial Reviews

The Sadist (1963, Bamp;W): Charlie Tibbs, an escaped homicidal maniac, has left a trail of rampage and murder across the countryside. When a group of school teachers stop to repair their car on a desolate highway, they are brutally attacked by Tibbs who tortures them in a terrifying game of cat and mouse. Arch Hall, Jr., who starred in a series of Fairway-International films in the 60s, had previously only been cast as all-American rock 'n' roll types. In The Sadist, however, he gives the performance of his career in a role so unforgettable that his ferocity remains unsurpassed in the annals of horror. Hall's portrayal, along with a vivid screenplay and cinematography by future Academy Award-winner Vilmos Zsigmond (The Deer Hunter), creates a powerful work of art that is as shocking now as it was in 1963. The Choppers (1961, Bamp;W): A fast-moving slice of '60s juvenile delinquent movie making, this film features the debut of sixteen year-old Arch Hall, Jr., son of movie producer Arch Hall. Cruiser is a punk with a taste for crime. His gang of hot-rodding thugs, including Torch, Flip and Snoop, specialize in stripping cars in record time. The rampaging teens make quick work of any vehicles unfortunate enough to stop on their stretch of the highway. A tenacious insurance investigator teams up with the police, determined to put an end to the crime-spree. As the noose tightens on the out-of-control teens, bullets fly with tragic results. Wild Guitar (1962, Bamp;W): With just a cheap guitar and one suitcase, Bud Eagle rolls into Hollywood on his motorcycle. He's invited to attend a TV taping and when one of the performers falls ill, Bud jumps on stage and takes his place. Within moments, the crowd goes wild and Bud is an instant star. The biggest manager in Hollywood, Mike McCauley, takes Bud under his wing, promising him fortune and fame. He showers him with gifts and women, but ends up taking him for everything he's worth. But Bud isn't stupid and along with his girlfriend Vickie, they concoct a plan for revenge. Eegah (1962, Color): One of those rare existential movies that comes but once in a lifetime. The minute the hand-drawn credits hit the screen, you know you're in for a unique experience. Giant actor Richard Kiel makes his starring debut as the last surviving stoneage caveman. Smitten with a beautiful teenage girl, he invades a rockin' pool party to steal her away from her guitar-playing boyfriend. Deadwood '76 (1965, Color): Billy May is a southerner roaming the frontier on the search for gold. When he arrives at the lawless frontier town of Deadwood, the locals mistake him for Billy the Kid. He sets up camp on the outskirts of town, unaware that Wild Bill Hickok is hunting for the outlaw. Billy falls in love with a beautiful squaw. When she is raped by a couple of local thugs, Billy returns to Deadwood to settle the score, coming face to face with Wild Bill in a final shocking confrontation. Nasty Rabbit (1964, Color): Special agent Britt Hunter discovers a sinister Soviet plot to destroy America. A Russian operative (barely disguised as a cowboy) waits in the badlands to unleash a deadly bacteria. Hunter goes undercover as a rock and roll singer to corner the enemy spy. The radioactive device, fastened around the neck of a rabbit (!), is the target of an international ring of counterespionage agents from every corner of the world.

Arch Hall, Jr. Signature Collection: The Sadist / The Choppers (

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